1970. “Art and Literature.” In Themes in World Literature, ed. George P. Elliot, Philip McFarland, Harvey Granite, and Morse Peckham, 38–45, 166–172, 291–296, 391–396, 447–453, 563–569, 617–622, 690–697. Boston: Houghton Mifflin.
1970. “The Deplorable Consequences of the Idea of Creativity.” In Peckham 1976e: 206–221.
1970. “Is the Problem of Literary Realism a Pseudoproblem?” Critique 12(2): 95–112. [Collected in Romanticism and Behavior (1976)]
1970. “On Romanticism: Introduction.” Studies in Romanticism 9(4): 217–224.
1970. “Poet and Critic: Or, the Damage Coleridge Has Done.” Studies in the Twentieth Century 6(): 1–11.
1970. “Religion as a Humanizing Force.” Southern Humanities Review 4(3): 214–222.
1970. Review of Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture by Leonard B. Meyer. History and Theory 9(1): 127–135.
1970. The Triumph of Romanticism. Columbia, SC: University of South Carolina Press.
1970. Victorian Revolutionaries: Speculations on Some Heroes of a Culture Crisis. New York: George Braziller.
1971. “The Arts and the Centers of Power.” In Peckham 1976e: 328–350.
1971. “Arts for the Cultivation of Radical Sensitivity.” In Peckham 1976e: 285–312.
1971. “The Corporation’s Role in Today’s Crisis of Cultural Incoherence.” In Peckham 1976e: 263–284.
1971. “Cultural Stagnation in American Universities and Colleges.” In Peckham 1976e: 313–327.
1971. “Ernest Hemingway: Sexual Themes in His Writing.” Sexual Behavior 1(4): 62–70. [Collected in Romanticism and Behavior (1976)]
1971. “Foundations of Modern Textual Editing.” In Proof: The Yearbook of American Bibliographical and Textual Studies, ed. Joseph Katz, vol. 1, 122–155. Columbia, SC: University of South Carolina Press.
1971. “The Function of History in Nineteenth-Century European Culture.” Survey 17(3): 31–36. [Collected in Romanticism and Behavior (1976)]
1971. “On the Historical Interpretation of Literature.” In Romantic and Victorian: Studies in Memory of William H. Marshall, ed. Waymon Paul Elledge and Richard Lester Hoffmann, pp. ?. Rutherford: Fairleigh Dickinson University Press. [Collected in The Triumph of Romanticism (1970)]
1971. “Romanticism, Science, and Gossip.” In Peckham 1985b: 35–43.
1972. “Ideas and the Arts.” In Explorations in Literature, ed. Philip McFarland, Linda Konichek, Jeanne King, William Jamison, and Morse Peckham, 33–40, 105–112, 209–216, 345–352, 417–424, 553–560. Boston: Houghton Mifflin.
1972. “Ideas and the Arts.” In Moments in Literature, ed. Philip McFarland, Melinda Kavanagh, William Jamison, and Morse Peckham, 33–40, 105–112, 241–248, 313–320, 385–392, 489–496. Boston: Houghton Mifflin.
1972. “Ideas and the Arts,” “Art,” “Music.” In Forms in English Literature, ed. Philip McFarland, Samuel Hynes, Larry D. Benson, and Morse Peckham, 223–233, 296–306, 268–277, 440–449, 639–649, 744–753. Boston: Houghton Mifflin.
1972. “Ideas and the Arts,” “Art,” “Music.” In Perceptions in Literature, ed. Philip McFarland, Allen Kirschner, William A. Jamison, and Morse Peckham, 64–73, 168–177, 272–281, 440–449, 544–553, 680–689. Boston: Houghton Mifflin.
1972. “Ideas and the Arts,” “Art,” “Music.” In Reflections in Literature, ed. Philip McFarland, Sharon Breakstone, William A. Jackson, and Morse Peckham, 96–105, 232–241, 336–345, 440–449, 512–521, 648–657. Boston: Houghton Mifflin.
1972. “Ideas and the Arts,” “Art,” “Music.” In Themes in American Literature, ed. Philip McFarland, Allen Kirschner, Alfred Ferguson, Larry D. Benson, and Morse Peckham, 64–73, 200–209, 336–345, 440–449, 576–585, 712–721. Boston: Houghton Mifflin.
1972. “Literature and Knowledge.” In Peckham 1976e: 222–246.
1972. “Reflections on Historical Modes in the Nineteenth Century.” In Victorian Poetry, 277–300. London: Edward Arnold. [Collected in Romanticism and Behavior (1976)]
1973. “Browning and Romanticism.” In Peckham 1985b: 103–133.
1973. “The Cultural Crisis of the 1970s.” In Peckham 1976e: 362–379.
1973. “The Current Consequences of Romanticism in the Arts.” In Proceedings of the Seventh National Sculpture Conference, 53–68. Lawrence, KS: National Sculpture Center.
1973. “Humanism, Politics, and Government in the Nineteenth Century.” In Peckham 1976e: 351–361.
1973. “Frederick the Great.” In Peckham 1985b: 83–101.
1973. “Iconography and Iconology in the Arts of the Nineteenth and Twentieth Centuries.” The Stucturist 12: 26–31. [Collected in expanded form in Romanticism and Behavior (1976)]
1973. “Philosophy and Art as Related and Unrelated Modes of Behavior.” In Peckham 1985b: 187–201.
1973. “Rebellion and Deviance.” Conference presentation, Florida State University. [Collected in Romanticism and Behavior (1976)]
1974. “Man’s Use of Nature.” In Peckham 1985b: 203–224.
1974. “Psychology and Literature.” In Peckham 1985b: 247–269.
1974. Review of Natural Supernaturalism: Tradition and Revolution in Romantic Literature by M. H. Abrams and Revolution and Romanticism by Howard Mumford Jones. Studies in Romanticism 13(4): 359–365.
1974. “Romanticism and Behavior.” Philosophical Exchange: The Annual Proceedings of the Center for Philosophical Exchange 1(5): 65–83. [Collected in Romanticism and Behavior (1976)]
1974. “The Place of Sex in the Work of William Faulkner.” Studies in the Twentieth Century 14: 1–20. [Collected in Romanticism and Behavior (1976)]
1974. “Victorian Counterculture.” In Peckham 1985b: 143–163.
1975. “A Doctor of Philosophy in the Humanities.” South Atlantic Bulletin 40(1): 29–47.
1975. (with David R. King) “Editing Nineteenth-Century Texts.” In Language and Texts: The Nature of Linguistic Evidence, ed. Herbert H. Paper, 1123–1146. Ann Arbor: Center for the Coordination of Ancient and Modern Studies, University of Michigan.
1975. “Notes on Freehafer and the CEAA.” Studies in the Novel 7(3): 402–404.
1975. “Preface.” In Peckham 1976e: vi–vii.
1976. “Romantic Historicism in Italy: Opera, Painting, Fiction.” In Peckham 1985b: 45–82.
1976. “Conventions Ridden.” NOVEL: A Forum on Fiction 9(2): 171–172.
1976. Review of Romantic Progression: The Psychology of Literary History by Colin Martindale. American Literature 48(2): 249–251.
1976. Review of The Transformative Vision: Reflections on the Nature and History of Human Expression by José A. Argüelles. The Journal of Aesthetics and Art Criticism 34(3): 343–344.
1976. Romanticism and Behavior: Collected Essays II. Columbia, SC: University of South Carolina Press.
1977. “An Explanation of ‘Realism.’” In Peckham 1985b: 135–142.
1977. “The Infinitude of Pluralism.” Critical Inquiry 3(4): 803–816.
1977. “‘Literature’: Disjunction and Redundancy.” In Peckham 1985b: 291–301.
1977. “Perceptual and Semiotic Discontinuity in Art.” In Peckham 1985b: 271–289.
1977. “The Pleasures of the Po.” The Texas Arts Journal 1: 1–12.
1977. Review of The Classic: Literary Images of Permanence and Change by Frank Kermode. The Journal of English and Germanic Philology 76(1): 117–121.
1977. “Semiotic Interpretation in the Humanities.” In Man in 7 Modes: Theory, Interpretation, Poetry, Fiction, Music, Autobiography, Pedagogy, ed. William E. Ray, 10–18. Winston-Salem, NC: Southern Humanities Conference.
1977. “Thoughts on Editing Sordello.” Studies in Browning and His Circle 5(1): 11–18.
1977. “Two Ways of Using ‘Creativity.’” In Peckham 1985b: 225–232.
1978. “Edgar Saltus and the Heroic Decadence.” In Peckham 1985b: 165–174.
1978. “The Evaluation of Art.” Arts Exchange 2(1): 13–15.
1978. “The Problem of Interpretation.” In Peckham 1985b: 317–337.
1978. Review of The Romantic Will by Michael G. Cooke. Studies in Romanticism 17(1): 91–93.
1978. “Romanticism, Surrealism, and Terra Nostra.” In Peckham 1985b: 175–183.
1979. Explanation and Power: The Control of Human Behavior. Minneapolis: University of Minnesota Press. (Originally published by Seabury Press, New York.)
1979. “Three Notions about Criticism.” In Peckham 1985b: 303–316.